Arkhitektonics

Bringing huge buildings down to the size of people

Kazimir Malevich was an important figure in Russian and Soviet art and architecture in the early 20th century.
Largely self-educated, Malevich was from the beginning of his artistic career,
    "not concerned with nature or analyzing visual impressions, but with man and his relation to the cosmos." (Gray, pg 145)
Much of his work belongs to the Suprematist school.
During the 20s, he began expressing architectural projects as 3-dimensional sculptures.
Some examples of this Arkhitektonics are marvelous instances of fractals in architecture.
Malevich creates buildings with ambiguous scales, erasing the difference in scale between buildings and people.
This is achieved by surrounding the largest component of a building with a cascade of smaller and smaller copies, number and scale satisfying an approximate 1/f relation (The smaller the component, the more of them).
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